Jason Addison
Lighting Designer | Assistant | Relighter
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The Legend of Sleepy Hollow
The use of smoke and lighting were very atmospheric, creating an eerie ambience.
Michelle Richardson, Fairy Powered Productions
The Legend of Sleepy Hollow
Set design and lighting are almost always on point, and with the hazy smoke, and chilling mixtures of cold colours, there is always the perfect atmosphere for the play’s most chilling moments.
Sam Pegg, The Edge
Orpheus in the Record Shop
Jason Addison’s light plot changes to warm, yellow colours, the musical mood lifts and we’re all on the player's side. He's won us over and left us feeling happy for him and happy inside.
Orpheus in the Record Shop
Turn & Face the Strange
...the stage was expertly designed and lit to look like we were in for a rock concert, for me, the music took a back seat, as I was absolutely enchanted by what I was seeing on the huge backdrop screens.
Jackie Foottit, North West End
Turn & Face the Strange
The combination of superb live music and lighting made for an electrifying experience, tinged with poignancy too.
Julia Pattison, Pocklington Post
Turn & Face the Strange
The show spliced all kinds of production together seamlessly with the flair of the Creative Production Team
Jack Bell, Whats On Hub
Dark Winter
Dark Winter
...while clever lighting and sound effects also help paint a very vivid picture.
Slime
Jason Addison adds some simple but effective touches of lighting, memorably a series of purple camera flashes that fill the garden with a new and exciting colour.